Barren Optimism: How My Photography Is Influenced by Andrew Wyeth's Paintings

"Barren Optimism" Photo Credit: Heather Hummel Photography

I captured this self-portrait, titled "Wading Through," at King Family Vineyards in rural Crozet, Virginia. When I asked the owner, James King, about the field's status, he indicated that it had peaked two weeks earlier, on July 12th. He could not have known that was also my 50th birthday.

The next day, I ventured out to the field anyway. I passed a polo match, carrying my camera, lenses, filters, and tripod, and headed to the way-back corner of the property. When I turned the corner past the long fences, I liked what I saw. The sunflowers were mostly died off with just enough still hanging in there. The metaphor was strong. It set a different tone than the typical field of flowers--one that began a photo shoot that was inspired by my love for Andrew Wyeth's work.

The sunflower scene brought the words "barren optimism" to mind, Andrew Wyeth's "Christina's World" being my inspiration.

Having studied Wyeth's work some years ago, I knew that he and I shared a lot of commonalities beyond our mutual respect for hillsides and nature. We share the same birthday, July 12th (his 1917, mine 1965); he is one of five children, I am one of six; he had a medically challenged childhood that kept him home schooled, I was home most of my 3rd grade year due to a congenital heart defect that lead to my first open heart surgery in 1974; and one of his many muses was his dog who looked just like my own dog, Stephan.
It was Wyeth's work "Master Bedroom" that became my favorite even before Stephan came into my life.

"Stephan" Photo Credit: Heather Hummel Photography

Wyeth spent his years between his home in Pennsylvania and his summer home in Maine. I grew up in New England, but have traveled across the United States several times. We are both inspired by nature, and I find that his work rather barren with a hint of optimism, hence my term barren optimism.

As can happen with a muse or inspiration, I hadn't realized how much Wyeth's work had influenced my photography until I captured the sunflower field self-portrait. Wyeth remains a favorite, and during my future photo shoots, I will certainly have him in the back of my mind as I analyze the scene before me, the light, and the opportunity for barren optimism.

This post originally appeared on the Huffington Post.

iPhoneography Pro: A Q&A With Commercial Photographer Robert Morrissey

"The one quick thing iPhone users need to understand is that the minute you switch over to camera mode your iPhone is no longer a phone but a camera. If you want to take good photos you need to understand photography."
- Robert Morrissey, Commercial Photographer

iPhone photography, termed iPhoneography, has been credited with some amazing photographs to the point where many photographers are putting away their DSLR cameras and lenses while grabbing their iPhone when heading out the door for a photo shoot. Add to it that amateurs are crossing the professional barriers with a touch of the iPhone screen, and there is little argument that iPhoneography is here to stay. Those who have the iPhone 6 are experiencing a new sensor with faster focus speeds and better low light images. The screen on the iPhone 6 is 4.7 inches with a 326ppi resolution, which Android users have enjoyed for a while now.
So, what is the next level for iPhoneography? That is exactly what is addressed in commercial photographer Robert Morrissey's iPhoneography Pro: Techniques For Taking Your iPhone Photography To The Next Level (Amherst Media, August 2015). I reached out to Morrissey, who took a break from his busy work as a commercial photographer to answer some questions about his book and the topic of iPhoneography.

HH: What gave credence to writing a “Pro” book on iPhoneography?

RM: When I was asked to write this book I honestly wasn't too sure about doing it. I had previously written two books on lighting for commercial photographers, so I knew I could write a book. But taking a professional approach to the iPhone was a little nerve-racking at first. However, once I ran several tests on the iPhone, I knew I could create a great book, with strong images and solid lessons without harming my professional reputation.

HH: Who is the audience for “iPhoneography Pro?

RM: Truly this book is for everyone with an iPhone, especially anyone that has read other iPhone photo books and wants to take their work further. This book guides the reader well beyond many other iPhone books out there. The fact is that the iPhone has become the new portable camera that everyone seems to have on them at all times.

In the book I go over several photography techniques that apply to all cameras, but after that, I push the iPhone to its limits. The one quick thing iPhone users need to understand is that the minute you switch over to camera mode your iPhone is no longer a phone but a camera. If you want to take good photos you need to understand photography.

HH: Did you learn anything new and exciting about the iPhone camera during the writing phase?

RM: Oh yeah. I learned that a skilled photographer can create an amazing collection of images, generate income and compete professionally with their iPhone. Add in the ability to use Photoshop and you have a professional grade camera that can compete with many pros sitting on expensive cameras.

HH: What is one specific thing you want photographers to know about iPhoneography?

RM: The one thing I’d like people to know about the iPhone camera is that this is a serious piece of equipment when used properly and in the right hands. I would like to have Sports Illustrated Swimsuit or Pirelli or Vouge give me a chance to show off the iPhones capability shooting their calendars or some covers. I believe my team could get amazing shots that no one, and I mean no one, would be able to tell they were shot with an iPhone camera. I am 100% serious about this.

HH: If you could only photograph oceans or mountains for the rest of your years, which one would you pick?

RM: I thought about this question a lot. Truthfully if all I could do was take photos of one thing I would shoot myself. As a human wired to be a photographer basically from birth I wouldn’t enjoy photographing only one thing. The world is my canvas and I have to paint with my camera. There are way too many things to take photos of and I believe that I still haven't taken my best photo yet.

Robert Morrissey is a commercial photographer who also does speaking engagements for camera clubs and other related events. To learn more, visit his website at: http://morrisseyphoto.com

This post originally appeared on the Huffington Post.  

Want to learn how to master low light photography and to capture your own low-light photos? My book MASTER LOW LIGHT PHOTOGRAPHY is available on Amazon.

Photo Shoot in the Shenandoah National Park: Blackrock Summit

Rays North West ISO 400 f/10 1/160 18 mm Photo Credit: Heather Hummel Photography

I'd been meaning to hike the Blackrock Summit Trail, which is part of the Appalachian Trail in the Shenandoah National Park (Virginia), and last night I finally made it up there. The hike itself was short and easy, but the views at the summit were breathtaking. I arrived on the summit at about an hour and a half before sunset, leaving plenty of time to capture the sun’s rays playing with the mountain peaks between the clouds.

The Hike

I highly recommend the short hike (only 1 mile round-trip with an optional longer loop of 1.6 miles Blackrock Spur Trail & Treyfoot Mountain Trail) to Blackrock Summit, which is at an elevation of 3,092 feet. Simply follow the Appalachian Trail heading south for about a half a mile. The steepest part of the trail is at the beginning, and then it levels out a bit. Once you arrive, the summit is impossible to miss. The boulders at the top are large and require scrambling up them for the best views. They are not too difficult to climb, and the extra height is worth the scramble. Just be sure to wear good shoes.
 

South Western View ISO 200 f/10 1/40 18 mm focal length - Photo Credit: Heather Hummel Photography

This trail is especially great for photographers who don’t want to hike too far with all their gear, but don’t want to stop at just the overlooks along the parkway; this is a great short hike with remarkable payoffs in stunning panoramic views and photo opportunities.

The Photo Shoot
 
For this photo shoot, I used a graduated neutral density filter to shade the sky in order to even out the exposure. (Note: This Tiffen is a 77mm, so be sure to get the size for your lens.)

Tiffen 77mm Color Graduated Neutral Density 0.6 Filter


There were also enough clouds to add interest and contrast. 

Each image caption in this post notes the settings I used on my Canon EOS Rebel T3i, and I used the graduated neutral density filter in each shot. 

North West View ISO 200 f/10 1/25 18mm focal length - Photo Credit: Heather Hummel Photography

Destination Information

The Shenandoah National Park is a great place for photo shoots while also getting some exercise. Naturally, during peak foliage in the fall is the opportune time to visit, but the Shenandoah National Park and the Blue Ridge Parkway always provide spectacular scenic views and wildlife is abundant all year long.

Blackrock Summit View ISO 200 f/10 1/100 18 mm focal length - Photo Credit: Heather Hummel Photography

 
Shenandoah National Park is 105 miles long stretching from Front Royal, Virginia to Waynesboro and Charlottesville. Skyline Drive is the scenic roadway that meanders through the park. There are four entrances (and exits) from the park and the parking lot for the Blackrock Summit is at Mile Post 85 and the trail head is right there. 

Before you go, be sure to pick up some trail guides. Having hiked many of the trails in the Shenandoah, I can attest that it makes a big difference to be able to research these trails ahead of time.

Hiking Shenandoah National Park (Regional Hiking Series)













Best Easy Day Hikes Shenandoah National Park (Best Easy Day Hikes Series)

Want to learn how to master low light photography and to capture your own low-light photos? My book MASTER LOW LIGHT PHOTOGRAPHY is available on Amazon.

In the Field with Heather Hummel Photography - Lake Monticello Sunrise

In the Field with Heather Hummel Photography - Lake Monticello Sunrise
This two minute video takes you behind the scenes on a sunrise shoot at a lake in rural Virginia.

Want to learn how to master low light photography and to capture your own low-light photos? My book MASTER LOW LIGHT PHOTOGRAPHY is available on Amazon.

8 Steps for Awesome Full Moon Photos

Photo Credit: Heather Hummel Photography

This month is a Blue Moon month. Needless to say, Facebook News Feeds, Instagram, and Twitter are aglow with blurry white blobs! Tossed into the bunch are gorgeous images of the full moon, perhaps reflecting on waters or rising over a mountainside.

(Note that while new smartphones now accommodate shutter speed technology, which is amazing, this article speaks to using a DSLR camera, which has control of ISO, shutter speed (including Bulb), and aperture settings.)


With so many opportunities to photograph a full moon in a given year, there are many chances to improve full moon photography skills where you can go from the white blob in the top photo to the crater defined full moon images below:

From this:

White Blob!

To this:

Photo Credit: Heather Hummel Photography

Here are 8 steps for photographing the Full Moon. They are a foundational place to start, and depending on individual results, can (and should) be adjusted accordingly.

1. In order to enlarge the moon and show the details of the surface, use a good telephoto lens that is longer than 200 mm. Alternatively, such as in this example, if there is a landscape foreground, the focal length could be a wide angle.

Moonrise in the Rocky Mountains
Photo Credit:Heather Hummel Photography

2. Set the Camera Mode to Manual.

3. Set the ISO to 100 or whatever the base ISO is for your camera. Again, this is just a starting point. Some of these images were shot at higher ISOs.

4. Set the Aperture to f/11, whether using Manual Mode or Aperture Priority.

5. Set the shutter speed to 1/125 with an ISO of 100. If the ISO is set for 200, use a shutter speed of 1/250.

6. Set the focus to Manual. This is often done right on the lens.

7. Set the lens to focus on the center of the infinity sign. Note: Higher end cameras can accommodate infinity in different ways. This step is for more basic DSLR cameras.

8. Set the self-timer to two-seconds and press the shutter release. Depending on the results, either slow down or speed up the shutter speed. For example, if you are still getting a white blob, speed up the shutter speed. This is key: the reason for the white blob is the shutter speed is too slow, allowing the moon light to over expose the image. Speed it up, and you'll see greater moon surface definition.

Moon Rising Over Point Lobos
Photo Credit: Heather Hummel Photography

Accessories:
In order to achieve even better results, add these accessories to your camera bag.


Filters: There will be situations where an filter will help to keep down the white blob effect. A neutral gradient graduated filter, such as this one by Tiffen, can help to shade the brightness of the moon while allowing more light on the foreground. If there are foregrounds such as the ones in the above examples, use a ND graduated filter to even out the foreground and the sky.
 
Tiffen 67mm Color Graduated Neutral Density 0.6 Filter

This example is a 67mm, be sure to get the right mm size for your lens(es).

Tripods:  I always use a tripod, such as Ravelli or Manfrotto, while on low light photography shoots.



Ravelli APLT4 61-inch Light Weight Aluminum Tripod With Bag
 
 Manfrotto MKCOMPACTLT-BK Compact Tripod (Black)


Remote Shutter Release:
For under $10, I highly recommend picking up a remote shutter release. Even though the camera should be set to a 2 second self-timer, having the remote shutter release adds to the reduction of camera shake. I use mine all the time in conjunction with the self-timer.
This top one is an example of one for Canons.


FotoTech FTRC-6 IR Wireless Shutter Release Remote For Canon EOS 5DS, 5DR, 7D Mark II, EOS 6D, EOS 7D, EOS 70D, EOS 60Da, EOS 60D, EOS 5D Mark III, EOS 5D Mark II, SL1, T6s, T6i, T5i, T4i, T3i, T2i, T1i Digital SLRS(Replaces Canon RC-5 RC-6) with FotoTech Velvet Bag

And this is an example of one for Nikons.

FotoTech ML-L3 Wireless Shutter Release Remote For Nikon D750, D5500, D5300, D610, D7200, D7100, D3300, D3000, D3200, D5200, D5100, D5000, D7000, D60, D80, D90, D600, CoolPix P7800, Coolpix P7000, P6000, P7100, N65, N75, Coolpix 8400, 8800, Pronea S, Nuvis S, Nikon 1 J1, Nikon 1 J2 Nikon 1 V1 V2 V3 Digital SLRS with FotoTech Velvet Bag

Between the filters, tripod, and remote shutter release, your full moon images will be on par with the pros!

Want to learn how to master low light photography and to capture your own low-light photos? My book MASTER LOW LIGHT PHOTOGRAPHY is available on Amazon.

In the Field with Heather Hummel Photography - Jacksonville, Florida

"In the Field with Heather Hummel Photography"
On location in Jacksonville, Florida shooting the sunset over the St. John's River. 

Want to learn how to master low light photography and to capture your own low-light photos? My book MASTER LOW LIGHT PHOTOGRAPHY is available on Amazon.

iblazr Lights Up the Selfie World: My Latest Photography Gadget Review

Photo Courtesy of iblazr

As a photographer, I don't leave home without my camera and its accessories. Camera body--check. Filters--check. Tripods--check. Lenses--check. Camera bag with odds and ends--check.

Lately I have been adding new accessories to my camera bag, except they have been for my iPhone, which is actually helping with my DSLR photography. How? I recently started a YouTube series titled "In the Field with Heather Hummel Photography" where I walk viewers through the scenes as I am capturing them and why I choose the camera settings for that scene. I have filmed three videos to date by using the video feature on my iPhone (since my Canon is the star of the videos).

I love taking my audience to the places I photograph--lakes, rivers, and even rooftops. The two obstacles I had to overcome were how could I selfie-video the scenes and how would I handle low light situations with the iPhone? The video selfie was managed with use of the Gekkopod (read my previous review).

Photo Courtesy of iblazr

Happily, I can now say that the low light situation has been resolved with the iBlazr! I have written about the importance of using a tripod in low light photography, but that was from the standpoint of using a DSLR. Now that I am using my iPhone for video, I need extra light cast on me while I'm explaining the upcoming shot. In other words, I didn't want the iPhone filming me in the dark! The iblazr's ongoing fill-flash while shooting both video or still photos is incredibly effective considering its size. It is a terrific addition to a camera bag!

Photo Courtesy of iblazr

iblazr was designed by a team of four inventors who thought up the idea of a tiny LED flash for smartphones. They initially launched on Kickstarter two years ago, but the was iblazr quick to be found in retail stores, such as the Apple Store, Best Buy, and Walmart. It's success lead to the forthcoming version, iblazr 2, the second generation, which is said to be the first native camera synced LED on the market that is compatible with both iOS and Android smartphones and tablets. Their latest Kickstarter campaign is already well over $170K from 2,500 backers.

Photo Courtesy of iblazr

In a world where selfies dominate Facebook, Twitter, and Instagram, I wasn't surprised to learn that this product is such a hit. From the portrait photography standpoint, a fill-flash brightens the face, which softens the skin. Strong shadows on faces can age someone while also create unwanted grain in images. Neither are flattering effects in selfies! With Bluetooth syncing, a mount clip, a cold shoe stand for digital and analog cameras, a silicon diffuser with a key chain, a micro USB to USB charger, and a variety of uses as an off-camera flash, I found the iblazer to be very versatile!

Photo Courtesy of iblazr

With the iblazr in hand with the Gekkopod, I am even more excited to be out shooting videos with my iPhone for the "In the Field with Heather Hummel Photography" series.

Photo Courtesy of iblazr

But, that is only scratching the surface for the uses of these combined products. I highly recommend checking out iblazr's website, http://iblazr.com, for more info.

To purchase the first generation iblazr on Amazon click here: iBlazr Original LED Flash for iPhone & iPad (White), LED Light for iPad and Android devices + Cold Shoe Mount for digital cameras (DSLR) by Concepter.