St. Johns River by Heather Hummel

St. Johns River by Heather Hummel
St. Johns River by Heather Hummel Photography
Showing posts with label photography tips. Show all posts
Showing posts with label photography tips. Show all posts

Thursday, May 24, 2018

Want to Take Your Photography to the Next Level?

Are you stuck in Program Mode with your DSLR camera?
Let us take you to the next level. 

Good news! Two of Heather Hummel Photography's Master DSLR Photography online courses are now available! 

1st One:
7 Steps to Stunning Images: A Guide to Mastering Your DSLR Camera is a FREE online course with Heather Hummel, land and seascape photographer. The course demystifies your DSLR camera and delves into the following 7 critical photography concepts as well as one "In the Field with Heather Hummel Photography" video. 
2nd One:
In Master Low Light DSLR Photography, you will learn to analyze low light and to determine the optimal camera settings for creating captivating low-light outdoor images. Composition—the artful arrangement of all of the image elements — is detailed next. From there, Hummel provides text and illustrations to guide you through the art of producing low-light images of sunrises and sunsets; the moon and stars; hot air balloons, city lights, and fireworks; and nature and landscape photography. You will then learn how to use filters and camera-stabilizing tools to enhance the technical quality of your shots. Armed with the applications outlined in this course, photographers will be able to produce outstanding shots during off-peak hours.
Click HERE to learn more. 
Happy trails!

7 Steps to Stunning Images: A FREE Online Course by Heather Hummel Photography

7 Steps to Stunning Images: A Guide to Mastering Your DSLR Camera by Heather Hummel, land and seascape photographer, is a FREE online course that demystifies your DSLR camera and delves into the following 7 critical photography concepts as well as one "In the Field with Heather Hummel Photography" video. 
Course content includes:
  • Step 1: Shedding Light on Light Sources
  • Step 2: Conquer ISO Settings
  • Step 3: Understanding Aperture/Depth of Field
  • Step 4: Choosing a Shutter Speed
  • Step 5: Composition
  • Step 6: Tripods
  • Step 7: Filters
Through this overview of concepts, you should be able to pick up your DSLR camera and start shooting in Manual Mode instead of Program Mode!
Share your photos in our private Facebook Group titled Master Low Light DSLR Photography.
Click here to learn more about the 7 Steps to Stunning Images course. 
Happy shooting!

Tuesday, July 14, 2015

8 Steps for Awesome Full Moon Photos

Photo Credit: Heather Hummel Photography
This month is a Blue Moon month. Needless to say, Facebook News Feeds, Instagram, and Twitter are aglow with blurry white blobs! Tossed into the bunch are gorgeous images of the full moon, perhaps reflecting on waters or rising over a mountainside.

(Note that while new smartphones now accommodate shutter speed technology, which is amazing, this article speaks to using a DSLR camera, which has control of ISO, shutter speed (including Bulb), and aperture settings.)


With so many opportunities to photograph a full moon in a given year, there are many chances to improve full moon photography skills where you can go from the white blob in the top photo to the crater defined full moon images below:
From this:

White Blob!
To this:
Photo Credit: Heather Hummel Photography



Here are 8 steps for photographing the Full Moon. They are a foundational place to start, and depending on individual results, can (and should) be adjusted accordingly.

1. In order to enlarge the moon and show the details of the surface, use a good telephoto lens that is longer than 200 mm. Alternatively, such as in this example, if there is a landscape foreground, the focal length could be a wide angle.

Moonrise in the Rocky Mountains
Photo Credit:Heather Hummel Photography


2. Set the Camera Mode to Manual.

3. Set the ISO to 100 or whatever the base ISO is for your camera. Again, this is just a starting point. Some of these images were shot at higher ISOs.

4. Set the Aperture to f/11, whether using Manual Mode or Aperture Priority.

5. Set the shutter speed to 1/125 with an ISO of 100. If the ISO is set for 200, use a shutter speed of 1/250.

6. Set the focus to Manual. This is often done right on the lens.

7. Set the lens to focus on the center of the infinity sign. Note: Higher end cameras can accommodate infinity in different ways. This step is for more basic DSLR cameras.

8. Set the self-timer to two-seconds and press the shutter release. Depending on the results, either slow down or speed up the shutter speed. For example, if you are still getting a white blob, speed up the shutter speed. This is key: the reason for the white blob is the shutter speed is too slow, allowing the moon light to over expose the image. Speed it up, and you'll see greater moon surface definition.

Moon Rising Over Point Lobos
Photo Credit: Heather Hummel Photography

Accessories:
In order to achieve even better results, add these accessories to your camera bag.


Filters: There will be situations where an filter will help to keep down the white blob effect. A neutral gradient graduated filter, such as this one by Tiffen, can help to shade the brightness of the moon while allowing more light on the foreground. If there are foregrounds such as the ones in the above examples, use a ND graduated filter to even out the foreground and the sky.
 
Tiffen 67mm Color Graduated Neutral Density 0.6 Filter

This example is a 67mm, be sure to get the right mm size for your lens(es).

Tripods:  I always use a tripod, such as Ravelli or Manfrotto, while on low light photography shoots.



Ravelli APLT4 61-inch Light Weight Aluminum Tripod With Bag
 
 Manfrotto MKCOMPACTLT-BK Compact Tripod (Black)


Remote Shutter Release:
For under $10, I highly recommend picking up a remote shutter release. Even though the camera should be set to a 2 second self-timer, having the remote shutter release adds to the reduction of camera shake. I use mine all the time in conjunction with the self-timer.
This top one is an example of one for Canons.


FotoTech FTRC-6 IR Wireless Shutter Release Remote For Canon EOS 5DS, 5DR, 7D Mark II, EOS 6D, EOS 7D, EOS 70D, EOS 60Da, EOS 60D, EOS 5D Mark III, EOS 5D Mark II, SL1, T6s, T6i, T5i, T4i, T3i, T2i, T1i Digital SLRS(Replaces Canon RC-5 RC-6) with FotoTech Velvet Bag

And this is an example of one for Nikons.

FotoTech ML-L3 Wireless Shutter Release Remote For Nikon D750, D5500, D5300, D610, D7200, D7100, D3300, D3000, D3200, D5200, D5100, D5000, D7000, D60, D80, D90, D600, CoolPix P7800, Coolpix P7000, P6000, P7100, N65, N75, Coolpix 8400, 8800, Pronea S, Nuvis S, Nikon 1 J1, Nikon 1 J2 Nikon 1 V1 V2 V3 Digital SLRS with FotoTech Velvet Bag

Between the filters, tripod, and remote shutter release, your full moon images will be on par with the pros!

Want to learn how to master low light photography and to capture your own low-light photos? My book MASTER LOW LIGHT PHOTOGRAPHY is available on Amazon.

Thursday, July 2, 2015

The Secret to Firework Photos That Snap Crackle and Pop

Photo Credit: Heather Hummel Photography

The 4th of July is a great time to pull out your camera to capture the fireworks. I'm letting you in on the secret to capturing professional level firework photos that snap, crackle, and pop! You will be the envy of your Facebook friends. (Note: these steps are geared to those with DSLR cameras who can adjust ISO, aperture, and shutter speed.)

Photo Credit: Heather Hummel Photography

I personally love fireworks captured over water because of the element of reflection. The key to success is understanding the camera settings to use. So, how do the professionals get those firework photos without them being white, blurred streaks across the sky?

These are the 8 steps to take when photographing fireworks.
 

Photo Credit: Heather Hummel Photography
1. Use a good telephoto lens, for example one that is longer than 200 mm. 

2. Set the Camera Mode to Manual.

3. Set the ISO to 100 or whatever the base ISO is for your camera (refer to the manual).

4. Set the Aperture to f/8.

5. Set the shutter speed to the Bulb setting. The Bulb mode can be found on DSLRs when the shutter is turned all the way to the slowest possible setting. (See the camera’s manuals for specific details.) 
This setting allows the shutter to stay open for as long as needed. It requires triggering it by pressing the shutter button, and then releasing it by pressing the shutter button again.


Photo Credit: Heather Hummel Photography
6. Set the focus on the lens to Manual. 

7. Set the lens to focus on the center of the infinity sign. Note: Higher end cameras can accommodate infinity in different ways. This step is for more basic DSLR cameras.

8. Use a remote shutter release to open the shutter for a count of about 10 seconds then press the remote shutter release again to close the shutter.  (See Accessories below about remote shutter releases. They are less than $10 and one of the best purchases possible!)


Depending on the results, either slow down or speed up the shutter speed. 


Photo Credit: Heather Hummel Photography
Note that in all of these photos, I used a tripod and remote shutter release in order to reduce camera shake. The shutter times range from 10 seconds to a full 25 seconds, all with good results. 

Learning how to use the bulb setting and for how many seconds to keep the shutter open will take experimenting depending on the scene. The beauty of digital photography is that you can see the results immediately and adjust one way or the other, so there really is no losing at this game! 







Accessories:
In order to achieve even better results, add these accessories to your camera bag.


Filters: There will be situations where an filter will help to keep down white streak in the sky effect (over exposed fireworks). A neutral gradient graduated filter, such as this one by Tiffen, can help to shade the brightness of the fireworks while allowing more light on the foreground.
 
Tiffen 67mm Color Graduated Neutral Density 0.6 Filter

This example is a 67mm, be sure to get the right mm size for your lens(es).

Tripods:  I always use a tripod, such as Ravelli or Manfrotto, while on all of my low light photography shoots.



Ravelli APLT4 61-inch Light Weight Aluminum Tripod With Bag
 
 Manfrotto MKCOMPACTLT-BK Compact Tripod (Black)


Remote Shutter Release:
For under $10, I highly recommend picking up a remote shutter release. Having the remote shutter release adds to the reduction of camera shake. I use mine all the time in conjunction with the self-timer or Bulb setting.

This top one is an example of one for Canons.


FotoTech FTRC-6 IR Wireless Shutter Release Remote For Canon EOS 5DS, 5DR, 7D Mark II, EOS 6D, EOS 7D, EOS 70D, EOS 60Da, EOS 60D, EOS 5D Mark III, EOS 5D Mark II, SL1, T6s, T6i, T5i, T4i, T3i, T2i, T1i Digital SLRS(Replaces Canon RC-5 RC-6) with FotoTech Velvet Bag

And this is an example of one for Nikons.

FotoTech ML-L3 Wireless Shutter Release Remote For Nikon D750, D5500, D5300, D610, D7200, D7100, D3300, D3000, D3200, D5200, D5100, D5000, D7000, D60, D80, D90, D600, CoolPix P7800, Coolpix P7000, P6000, P7100, N65, N75, Coolpix 8400, 8800, Pronea S, Nuvis S, Nikon 1 J1, Nikon 1 J2 Nikon 1 V1 V2 V3 Digital SLRS with FotoTech Velvet Bag

Between the filters, tripod, and remote shutter release, your firework images will be on par with the pros!

Have a safe and happy 4th of July!
 
Want to learn how to master low light photography and to capture your own low-light photos? My book MASTER LOW LIGHT PHOTOGRAPHY is available on Amazon.