Q&A With the Masterminds Behind MasterClass

David Rogier and Aaron Rasmussen Photo Credit: MasterClass

Celebrities and public figures are often thought of as "untouchable." If you're lucky, you'll run into one at the airport or a restaurant and get an autograph or selfie with them. So, imagine having the opportunity to have Dustin Hoffman better your acting skills or James Patterson hone your manuscript or Serena Williams enhance your backhand? Need a voice coach without trying out for the television show The Voice? Take voice lessons from Christina Aguilera and performance coaching from Usher. Annie Leibovitz explains light, shutter speeds, apertures and more in her photography class.

Photo Credit: MasterClass

Yes, thanks to a new platform for educating niche genres by the best in their fields, all of those scenarios are possible. MasterClass founders David Rogier and Aaron Rasmussen took time out from their hectic schedules to answer some questions.

HH: Explain how was this idea born, let alone executed?

"Aaron and I knew we wanted to work together since we first met.. We both shared a passion for learning and neither of us had a great school experience growing up. I was always getting in trouble for being so inquisitive, and Aaron kept running out of classes to take in the tiny town he grew up in. We decided our mission was to make the kind of classes we wish we had growing up -- classes with riveting and engaging lessons taught by the world's best. When we reached out to our ideal potential instructors, we were thrilled they were excited to be a part of MasterClass!" - David

Photo Credit: MasterClass

HH: How did you get all of these experts/talents on board with the idea?

"When we started reaching out to potential instructors, we found that that many of them were excited to teach. All of our instructors really want to share what they've learned along the way, and most of the time they'd come to our first meeting with exciting and brilliant ideas for their classes." - Aaron

Photo Credit: MasterClass

"One funny story from when we were first starting out...we knew we wanted James Patterson to teach, but didn't have any connection to him. So, we sent a few cold emails to his representatives. We didn't hear anything back, then a few weeks later I'm walking down the street and my phone rings, and I hear, "Hi, this is James Patterson." I almost fell over with shock. Before I could process what was happening I blurted out, "The author?" Luckily, James laughed and we had a great conversation. He had seen our email, loved the idea, and just called us up to find out more." - David

HH: Is there anyone you wanted that you couldn't get?

"We have been very fortunate to work with some really great and well respected instructors for the launch of MasterClass. We also have many more instructors on board that we have yet to announce. David and I each have people that we would personally love to learn from. For me, it would be amazing to have James Cameron and Christopher Nolan as instructors. Both are fantastic storytellers and visionaries." - Aaron

Photo Credit: MasterClass

HH: How do you see this concept expanding as technology advances?

"All of our classes include opportunities for instructors to connect with students and for students to connect with one another. We're constantly testing new ways to forge these connections to enhance the learning experience, and technology plays a huge role in this process. We recently hosted an office hours session with Dustin Hoffman in LA where he Skyped with a student in Sweden and critiqued his performance in real-time. This wouldn't have been possible several years ago." - David

Photo Credit: MasterClass

"Each class has interactive assignments to encourage students to practice the skills they learn. For example, James Patterson's class includes a tool we call the "delete-o-matic" which enables students to make edits to several lines of text then compare how their edits differ from those of James himself. We're excited to create more technologies that help our students learn." - Aaron

Photo Credit: MasterClass

HH: What kind of response are students having to your classes? 

"The response has been amazing. Our students are learning and improving their skills every day. As an example, we got an email from the mother of a young student in Dustin Hoffman's class. The tips Dustin gave in his class helped her daughter get cast in her first big role! We had a mini-celebration for her in our office when we heard the news. Similarly, we have students who are beating the best players in their tennis leagues and having their writing published for the first time. It's amazing to see the impact our instructors are having on the lives of their students! Our ultimate wish is to have one of our current students come back to teach their own MasterClass someday." - Aaron

Thank you, David and Aaron.

For more information or to take a class on MasterClass, visit their website.
Follow Heather Hummel on Twitter: www.twitter.com/HeatherHummel
This post originally appeared on the Huffington Post

The Evolution of Real Estate Photography

Real estate photography has historically showcased disastrous images. We've all seen the images of a bathroom with the toilet seat up, a bedroom with an unmade bed or the laundry basket overflowing, kids' toys scattered about their rooms, personal photos covering the walls, and so on and so forth. Add to the list images that are blurry, too dark, too light, or taken from a misguided angle. It's a wonder some houses sold at all.

Photo Credit: Heather Hummel Photography

Recently, with the advent of websites like Zillow and Trulia, the pressure is on for agents to deliver high quality images to potential buyers. After looking at a lot of real estate sites, I couldn't help but notice that the quality of images has increased greatly. It is evident that real estate agents are taking online presence and the influence of images much more seriously, and I believe this is due to their effort to hire professional photographers for the jobs. Yes, anyone can take a photo with an iPhone or Droid, but that doesn't mean the quality is of a professional level. However, there is some debate that the images of today aren't really fairly representing homes. As one Facebook friend in Boise, Idaho pointed out, "Some of these photographers are Photoshopping images for realtors so poorly; you don't know if you're shopping for properties in Boise or in Toontown." He is correct. Real estate agents have to keep it real. Too many images make a home look bigger and brighter than it really is, which leads to a big letdown when potential buyers show up for a viewing.

Photo Credit: Heather Hummel Photography

I consistently photograph new listings for Charlottesville, Virginia's seasoned real estate agent, Joan Esposito of Roy Wheeler, who says, "A great photographer is critical to our marketing plan. They can make every property, no matter what the price range, stand out...and this makes our phones ring!" Joan is great to collaborate with because she has a keen eye for a listing and the type of images that best represent it. Staging is also an art that she intuitively knows how to do, and one that makes photographing properties much easier. Besides her listings, I have photographed properties in coastal northern Florida, which is a completely different type of community than the Blue Ridge Mountains. Regardless of location, though, there are simple staging concepts that make for good interior real estate photography.

1. Turn on the lights. If there isn't enough light, create it and be sure to replace blown bulbs.
2. Make the beds; ideally with linens that match.
3. Fold towels in bathrooms and place on shelves or hang neatly on racks.
4. Declutter all counter tops in the kitchens and bathrooms, but leave a splash of color in the form of fruit or flowers on the kitchen counter.
5. Remove pictures and magnets from the refrigerator.
6. In the kitchen, put away cluttering items, such as trash cans, sponges, soap, and dish or cleaning cloths.
7. Vacuum carpets and hard wood floors.
8. De-clutter and de-personalize so potential buyers can imagine the home as their own.

Once the photos are professionally captured, real estate photographers greatly benefit from outsourcing the editing work to a quality service such as PhotoUp in Grand Rapids, Michigan and Cebu, Philippines. Real estate photographer Jason Johnson is one photographer who takes advantage of PhotoUp's editing services.

"Before" Photo Credit Jason Johnson, Grand Rapids, Michigan

 

"After" Edit by PhotoUp: Photo Credit Jason Johnson, Grand Rapids, Michigan

"Before" Photo Credit Jason Johnson, Grand Rapids, Michigan

 

"After" Edit by PhotoUp: Photo Credit Jason Johnson, Grand Rapids, Michigan

However, PhotoUp isn't only a photo editing service. They champion photographers and help them grow their business. "We're the only ones out there doing this transparently, and real estate happens to be our niche. We have a team in the Philippines that work in a Google-like office. It's a very creative environment. We find great ways to impact the photographers and the communities in which we work," says Chris Palmer of PhotoUp. While some photographers might be leery of outsourcing, Chris points out that they allay those fears. "We do customized stylization so clients who want a particular style and consistent look to their images can have it. We see the relationship with our clients as a collaborative team effort where we dedicate our time to learning the photographer's particular style."

"Before" Photo Credit Jason Johnson, Grand Rapids, Michigan

"After" Edit by PhotoUp: Photo Credit Jason Johnson, Grand Rapids, Michigan

Building a real estate photography business takes a lot of work from marketing to shooting to editing to delivering, so to be able to outsource the editing is a great advantage for freeing up valuable time. "We're always exploring new ways to help photographers scale and grow their businesses. The ultimate goal for a real estate photographer is to have a team of photographers shooting for them and an editing team processing their images because editing isn't a revenue producing function. Photographers ought to be out there shooting. With us, they have access to editing twenty-four hours a day and five and a half to six days a week, depending on the plan they are on. Instead of spending hours editing, they can upload their images to us and go enjoy a glass of wine with their spouse." In Florida, I photographed a client's house while passing through. It was a cloudy day, so the skies were gray. I was leaving the next morning and wasn't able to go back and re-photograph it with blue skies.

"Before" Photo Credit: Heather Hummel Photography

"After: Dusk" Edit by PhotoUp Photo Credit: Heather Hummel Photography

"After: Blue Sky" Edit by PhotoUp Photo Credit: Heather Hummel Photography

So, I sent this image in RAW format to PhotoUp and was very happy with their editing work. The addition of blue sky and the dusk effect were just right. The images were sent back to me quickly and efficiently, and I was able to pass them on to my client.

At the time of writing this article, Charlottesville has approximately 310 real estate listings by agents. As I searched through listings, I still found images with toilet seats up, magnets on the refrigerator, and some that could clearly have used a professional editing service, but overall the quality was improved.

One thing is for sure, each property boasted closer to 35 images, versus the dozen or so used in the earlier days of online real estate. There is no doubt that the evolution of real estate photography has reached milestones and continues to grow.

Note: This blog post from PhotoUp provides valuable tips as well.

Lowepro SlingShot Edge: My Go-To Camera Bag for the Trails or in Town

 

If there is one thing professional photographers carry, it’s a lot of gear. From tripods to lenses to camera bodies to filters and lens hoods, and more, schlepping all of this gear on a shoot means needing a decent camera bag. My requirements when looking for a camera bag are two major criterion: a bag that not only allows for organization, but also protects my gear.

 

When I wanted to replace my existing bag, I heard of the Lowepro Slingshot Edge 250 AW and 150 AW.

My initial concern was that they would be too directed at and designed for the urban crowd. Though I live in the city of Charlottesville, Virginia, we have the Shenandoah National Park in our back yards and many of my photo excursions are coupled with hikes; therefore, my photo shoots can range from downtown Charlottesville to the peaks of the Shenandoah National Park. I needed a new pack that would handle both scenarios.

The more I investigated Lowepro’s new bags, and based on the design of the Slingshot Edge— with the variety of front and back cargo areas, pockets and slots for my iPad and iPhone, a clip for my car keys, a side pouch for a water bottle (especially for my dogs when I take them), straps for my tripod, and the sling-back design—I was certain their design would work.

My previous bag was a similar sling-back design, but the main compartment was shorter and deeper than the Slingshot Edge. The Slingshot Edge’s taller and narrower design made it easier to maneuver through tight spots on the trails and on the Downtown Mall in Charlottesville, which can be crowded on a Friday night.

Unlike the Slingshot Edge, my last bag had no place to strap my tripod, which meant having a second strap to sling over my shoulder. The Slingshot Edge lets me strap it right to the back. All of this means my hands are free while hiking or walking downtown.   

 

Most of all, the Slingshot Edge’s design—because of the better weight distribution—is easier on my back! With the bag being tall and narrow, kind of like me, it fits tighter to my body rather than a deep outreach that causes extra strain. With all the hiking photo shoots I do, this was a huge consideration and a big plus. 

Weather is always a concern when hiking in the Shenandoah National Park. Those afternoon thunderstorms can come in quickly. I was happy to learn that the Slingshot Edge has a built in all-weather cover that slips over the bag, protecting my Canon and its lenses. 

I mostly use the Slingshot Edge 250 AW; however, the 150 AW, being just a bit smaller, is perfect for when I go out to restaurants because it’s not as cumbersome. Charlottesville has a lot of breweries and wineries that I love visiting with friends for the food and drink, but also for the photo ops, so for those excursions, the 150 AW is perfect.

 

As we head into the fall and winter months, I’m looking forward to venturing into the Shenandoah National Park with my camera and Slingshot Edge to capture the fall foliage. 

Want to learn how to master low light photography and to capture your own low-light photos? My book MASTER LOW LIGHT PHOTOGRAPHY is available on Amazon.

Barren Optimism: How My Photography Is Influenced by Andrew Wyeth's Paintings

"Barren Optimism" Photo Credit: Heather Hummel Photography

I captured this self-portrait, titled "Wading Through," at King Family Vineyards in rural Crozet, Virginia. When I asked the owner, James King, about the field's status, he indicated that it had peaked two weeks earlier, on July 12th. He could not have known that was also my 50th birthday.

The next day, I ventured out to the field anyway. I passed a polo match, carrying my camera, lenses, filters, and tripod, and headed to the way-back corner of the property. When I turned the corner past the long fences, I liked what I saw. The sunflowers were mostly died off with just enough still hanging in there. The metaphor was strong. It set a different tone than the typical field of flowers--one that began a photo shoot that was inspired by my love for Andrew Wyeth's work.

The sunflower scene brought the words "barren optimism" to mind, Andrew Wyeth's "Christina's World" being my inspiration.

Having studied Wyeth's work some years ago, I knew that he and I shared a lot of commonalities beyond our mutual respect for hillsides and nature. We share the same birthday, July 12th (his 1917, mine 1965); he is one of five children, I am one of six; he had a medically challenged childhood that kept him home schooled, I was home most of my 3rd grade year due to a congenital heart defect that lead to my first open heart surgery in 1974; and one of his many muses was his dog who looked just like my own dog, Stephan.
It was Wyeth's work "Master Bedroom" that became my favorite even before Stephan came into my life.

"Stephan" Photo Credit: Heather Hummel Photography

Wyeth spent his years between his home in Pennsylvania and his summer home in Maine. I grew up in New England, but have traveled across the United States several times. We are both inspired by nature, and I find that his work rather barren with a hint of optimism, hence my term barren optimism.

As can happen with a muse or inspiration, I hadn't realized how much Wyeth's work had influenced my photography until I captured the sunflower field self-portrait. Wyeth remains a favorite, and during my future photo shoots, I will certainly have him in the back of my mind as I analyze the scene before me, the light, and the opportunity for barren optimism.

This post originally appeared on the Huffington Post.

iPhoneography Pro: A Q&A With Commercial Photographer Robert Morrissey

"The one quick thing iPhone users need to understand is that the minute you switch over to camera mode your iPhone is no longer a phone but a camera. If you want to take good photos you need to understand photography."
- Robert Morrissey, Commercial Photographer

iPhone photography, termed iPhoneography, has been credited with some amazing photographs to the point where many photographers are putting away their DSLR cameras and lenses while grabbing their iPhone when heading out the door for a photo shoot. Add to it that amateurs are crossing the professional barriers with a touch of the iPhone screen, and there is little argument that iPhoneography is here to stay. Those who have the iPhone 6 are experiencing a new sensor with faster focus speeds and better low light images. The screen on the iPhone 6 is 4.7 inches with a 326ppi resolution, which Android users have enjoyed for a while now.
So, what is the next level for iPhoneography? That is exactly what is addressed in commercial photographer Robert Morrissey's iPhoneography Pro: Techniques For Taking Your iPhone Photography To The Next Level (Amherst Media, August 2015). I reached out to Morrissey, who took a break from his busy work as a commercial photographer to answer some questions about his book and the topic of iPhoneography.

HH: What gave credence to writing a “Pro” book on iPhoneography?

RM: When I was asked to write this book I honestly wasn't too sure about doing it. I had previously written two books on lighting for commercial photographers, so I knew I could write a book. But taking a professional approach to the iPhone was a little nerve-racking at first. However, once I ran several tests on the iPhone, I knew I could create a great book, with strong images and solid lessons without harming my professional reputation.

HH: Who is the audience for “iPhoneography Pro?

RM: Truly this book is for everyone with an iPhone, especially anyone that has read other iPhone photo books and wants to take their work further. This book guides the reader well beyond many other iPhone books out there. The fact is that the iPhone has become the new portable camera that everyone seems to have on them at all times.

In the book I go over several photography techniques that apply to all cameras, but after that, I push the iPhone to its limits. The one quick thing iPhone users need to understand is that the minute you switch over to camera mode your iPhone is no longer a phone but a camera. If you want to take good photos you need to understand photography.

HH: Did you learn anything new and exciting about the iPhone camera during the writing phase?

RM: Oh yeah. I learned that a skilled photographer can create an amazing collection of images, generate income and compete professionally with their iPhone. Add in the ability to use Photoshop and you have a professional grade camera that can compete with many pros sitting on expensive cameras.

HH: What is one specific thing you want photographers to know about iPhoneography?

RM: The one thing I’d like people to know about the iPhone camera is that this is a serious piece of equipment when used properly and in the right hands. I would like to have Sports Illustrated Swimsuit or Pirelli or Vouge give me a chance to show off the iPhones capability shooting their calendars or some covers. I believe my team could get amazing shots that no one, and I mean no one, would be able to tell they were shot with an iPhone camera. I am 100% serious about this.

HH: If you could only photograph oceans or mountains for the rest of your years, which one would you pick?

RM: I thought about this question a lot. Truthfully if all I could do was take photos of one thing I would shoot myself. As a human wired to be a photographer basically from birth I wouldn’t enjoy photographing only one thing. The world is my canvas and I have to paint with my camera. There are way too many things to take photos of and I believe that I still haven't taken my best photo yet.

Robert Morrissey is a commercial photographer who also does speaking engagements for camera clubs and other related events. To learn more, visit his website at: http://morrisseyphoto.com

This post originally appeared on the Huffington Post.  

Want to learn how to master low light photography and to capture your own low-light photos? My book MASTER LOW LIGHT PHOTOGRAPHY is available on Amazon.

Photo Shoot in the Shenandoah National Park: Blackrock Summit

Rays North West ISO 400 f/10 1/160 18 mm Photo Credit: Heather Hummel Photography

I'd been meaning to hike the Blackrock Summit Trail, which is part of the Appalachian Trail in the Shenandoah National Park (Virginia), and last night I finally made it up there. The hike itself was short and easy, but the views at the summit were breathtaking. I arrived on the summit at about an hour and a half before sunset, leaving plenty of time to capture the sun’s rays playing with the mountain peaks between the clouds.

The Hike

I highly recommend the short hike (only 1 mile round-trip with an optional longer loop of 1.6 miles Blackrock Spur Trail & Treyfoot Mountain Trail) to Blackrock Summit, which is at an elevation of 3,092 feet. Simply follow the Appalachian Trail heading south for about a half a mile. The steepest part of the trail is at the beginning, and then it levels out a bit. Once you arrive, the summit is impossible to miss. The boulders at the top are large and require scrambling up them for the best views. They are not too difficult to climb, and the extra height is worth the scramble. Just be sure to wear good shoes.
 

South Western View ISO 200 f/10 1/40 18 mm focal length - Photo Credit: Heather Hummel Photography

This trail is especially great for photographers who don’t want to hike too far with all their gear, but don’t want to stop at just the overlooks along the parkway; this is a great short hike with remarkable payoffs in stunning panoramic views and photo opportunities.

The Photo Shoot
 
For this photo shoot, I used a graduated neutral density filter to shade the sky in order to even out the exposure. (Note: This Tiffen is a 77mm, so be sure to get the size for your lens.)

Tiffen 77mm Color Graduated Neutral Density 0.6 Filter


There were also enough clouds to add interest and contrast. 

Each image caption in this post notes the settings I used on my Canon EOS Rebel T3i, and I used the graduated neutral density filter in each shot. 

North West View ISO 200 f/10 1/25 18mm focal length - Photo Credit: Heather Hummel Photography

Destination Information

The Shenandoah National Park is a great place for photo shoots while also getting some exercise. Naturally, during peak foliage in the fall is the opportune time to visit, but the Shenandoah National Park and the Blue Ridge Parkway always provide spectacular scenic views and wildlife is abundant all year long.

Blackrock Summit View ISO 200 f/10 1/100 18 mm focal length - Photo Credit: Heather Hummel Photography

 
Shenandoah National Park is 105 miles long stretching from Front Royal, Virginia to Waynesboro and Charlottesville. Skyline Drive is the scenic roadway that meanders through the park. There are four entrances (and exits) from the park and the parking lot for the Blackrock Summit is at Mile Post 85 and the trail head is right there. 

Before you go, be sure to pick up some trail guides. Having hiked many of the trails in the Shenandoah, I can attest that it makes a big difference to be able to research these trails ahead of time.

Hiking Shenandoah National Park (Regional Hiking Series)













Best Easy Day Hikes Shenandoah National Park (Best Easy Day Hikes Series)

Want to learn how to master low light photography and to capture your own low-light photos? My book MASTER LOW LIGHT PHOTOGRAPHY is available on Amazon.

In the Field with Heather Hummel Photography - Lake Monticello Sunrise

In the Field with Heather Hummel Photography - Lake Monticello Sunrise
This two minute video takes you behind the scenes on a sunrise shoot at a lake in rural Virginia.

Want to learn how to master low light photography and to capture your own low-light photos? My book MASTER LOW LIGHT PHOTOGRAPHY is available on Amazon.

8 Steps for Awesome Full Moon Photos

Photo Credit: Heather Hummel Photography

This month is a Blue Moon month. Needless to say, Facebook News Feeds, Instagram, and Twitter are aglow with blurry white blobs! Tossed into the bunch are gorgeous images of the full moon, perhaps reflecting on waters or rising over a mountainside.

(Note that while new smartphones now accommodate shutter speed technology, which is amazing, this article speaks to using a DSLR camera, which has control of ISO, shutter speed (including Bulb), and aperture settings.)


With so many opportunities to photograph a full moon in a given year, there are many chances to improve full moon photography skills where you can go from the white blob in the top photo to the crater defined full moon images below:

From this:

White Blob!

To this:

Photo Credit: Heather Hummel Photography

Here are 8 steps for photographing the Full Moon. They are a foundational place to start, and depending on individual results, can (and should) be adjusted accordingly.

1. In order to enlarge the moon and show the details of the surface, use a good telephoto lens that is longer than 200 mm. Alternatively, such as in this example, if there is a landscape foreground, the focal length could be a wide angle.

Moonrise in the Rocky Mountains
Photo Credit:Heather Hummel Photography

2. Set the Camera Mode to Manual.

3. Set the ISO to 100 or whatever the base ISO is for your camera. Again, this is just a starting point. Some of these images were shot at higher ISOs.

4. Set the Aperture to f/11, whether using Manual Mode or Aperture Priority.

5. Set the shutter speed to 1/125 with an ISO of 100. If the ISO is set for 200, use a shutter speed of 1/250.

6. Set the focus to Manual. This is often done right on the lens.

7. Set the lens to focus on the center of the infinity sign. Note: Higher end cameras can accommodate infinity in different ways. This step is for more basic DSLR cameras.

8. Set the self-timer to two-seconds and press the shutter release. Depending on the results, either slow down or speed up the shutter speed. For example, if you are still getting a white blob, speed up the shutter speed. This is key: the reason for the white blob is the shutter speed is too slow, allowing the moon light to over expose the image. Speed it up, and you'll see greater moon surface definition.

Moon Rising Over Point Lobos
Photo Credit: Heather Hummel Photography

Accessories:
In order to achieve even better results, add these accessories to your camera bag.


Filters: There will be situations where an filter will help to keep down the white blob effect. A neutral gradient graduated filter, such as this one by Tiffen, can help to shade the brightness of the moon while allowing more light on the foreground. If there are foregrounds such as the ones in the above examples, use a ND graduated filter to even out the foreground and the sky.
 
Tiffen 67mm Color Graduated Neutral Density 0.6 Filter

This example is a 67mm, be sure to get the right mm size for your lens(es).

Tripods:  I always use a tripod, such as Ravelli or Manfrotto, while on low light photography shoots.



Ravelli APLT4 61-inch Light Weight Aluminum Tripod With Bag
 
 Manfrotto MKCOMPACTLT-BK Compact Tripod (Black)


Remote Shutter Release:
For under $10, I highly recommend picking up a remote shutter release. Even though the camera should be set to a 2 second self-timer, having the remote shutter release adds to the reduction of camera shake. I use mine all the time in conjunction with the self-timer.
This top one is an example of one for Canons.


FotoTech FTRC-6 IR Wireless Shutter Release Remote For Canon EOS 5DS, 5DR, 7D Mark II, EOS 6D, EOS 7D, EOS 70D, EOS 60Da, EOS 60D, EOS 5D Mark III, EOS 5D Mark II, SL1, T6s, T6i, T5i, T4i, T3i, T2i, T1i Digital SLRS(Replaces Canon RC-5 RC-6) with FotoTech Velvet Bag

And this is an example of one for Nikons.

FotoTech ML-L3 Wireless Shutter Release Remote For Nikon D750, D5500, D5300, D610, D7200, D7100, D3300, D3000, D3200, D5200, D5100, D5000, D7000, D60, D80, D90, D600, CoolPix P7800, Coolpix P7000, P6000, P7100, N65, N75, Coolpix 8400, 8800, Pronea S, Nuvis S, Nikon 1 J1, Nikon 1 J2 Nikon 1 V1 V2 V3 Digital SLRS with FotoTech Velvet Bag

Between the filters, tripod, and remote shutter release, your full moon images will be on par with the pros!

Want to learn how to master low light photography and to capture your own low-light photos? My book MASTER LOW LIGHT PHOTOGRAPHY is available on Amazon.